Despite predictions that the domestic box office would take a huge hit in 2024 thanks to the Writers Guild of America and Screen Actors Guild strikes that dominated much of the second half of 2023, the movie business has been chugging along just fine thus far.
Fifteen films have made more than $100 million each at the domestic box office in 2024, as of Oct. 8. "Inside Out 2" tops the list at nearly $653 million, with "Deadpool & Wolverine" currently holding the runner-up spot with just under $634 million. The latest addition to the $100 million club is "Beetlejuice Beetlejuice," which had the second-biggest September domestic debut of all time and has brought in more than $267 million since its Sept. 6 release. Time will tell which other movies make box office history, seeing as some of the year's most anticipated releases, like "Wicked," "Moana 2," and "Gladiator II," are still to come.
While it's certainly satisfying to see that Hollywood is still very much capable of churning out some major blockbusters in this new, post-strike world, these big movies aren't the only offerings worth watching in 2024. There have been a slew of films that have stood out for their themes, storytelling, and cinematography.
Using data from Metacritic, Stacker ranked the top 25 movies of 2024 so far by Metascore, as of Oct. 8. To qualify for the list, the films must have been released in the U.S. in 2024 and have at least seven reviews from critics. Ties were broken by Metacritic's internal weighting system. IMDb user ratings were provided for popular reception context.
From documentaries like "Sugarcane" to international standouts like "Tótem" and children's movies like "The Wild Robot," read on to find out what critics have loved the most this year. And be sure to come back every month as the ranking—and this year in memorable cinema—continues to develop.
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#25. Ghostlight
- Directors: Kelly O'Sullivan, Alex Thompson
- Metascore: 83
- IMDb user rating: 7.5
- Run time: 1 hour 55 minutes
A story about the healing power of art, "Ghostlight" follows a grieving construction worker who processes the death of his teenage son through a community theater production of "Romeo and Juliet." Messy, pure, and earnest, the film features an actual family of actors (partners Keith Kupferer and Tara Mallen and their daughter Katherine Mallen Kupferer), making everything feel incredibly real.
#24. Janet Planet
- Director: Annie Baker
- Metascore: 83
- IMDb user rating: 6.2
- Run time: 1 hour 53 minutes
Set in the early '90s, this drama follows a hippie mother (Julianne Nicholson) and her preteen daughter (Zoe Ziegler) over the course of one slow summer as they spend nearly all of their time together and confront changes in their relationship. The movie is the feature directorial debut of Pulitzer Prize-winning playwright Annie Baker, who also wrote the screenplay.
#23. Crossing
- Director: Levan Akin
- Metascore: 83
- IMDb user rating: 7.5
- Run time: 1 hour 46 minutes
Following a promise she made to her dying sister, a retired teacher heads to Istanbul in search of her transgender niece. Her path soon crosses with a young man on a quest of his own, and the story of "Crossing" unfolds from there. The setting and cinematography are half the draw here, which, combined with the quiet emotional through line of the film, make "Crossing" one of the year's most worthy watches.
#22. Evil Does Not Exist
- Director: Ryûsuke Hamaguchi
- Metascore: 83
- IMDb user rating: 7.0
- Run time: 1 hour 46 minutes
The winner of the Grand Jury Prize at the 80th Venice Film Festival, "Evil Does Not Exist" is a Japanese film about the residents of a small village who are pushing back against the development of the forest they live near. Described as "sparsely written" and "unsettling in tone" by NPR, "Evil Does Not Exist" is far from predictable with an ending that leaves audiences with plenty to think about.
#21. Terrestrial Verses
- Directors: Ali Asgari, Alireza Khatami
- Metascore: 83
- IMDb user rating: 7.4
- Run time: 1 hour 17 minutes
In this Iranian film, directors Ali Asgari and Alireza Khatami follow nine individuals as they face off against different iterations of power in the Middle Eastern country. At times comedic and difficult, the stories examine the way certain codes of behavior (whether dictated by culture or religion) can often be used as a channel for more deeply held prejudices.
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#20. Between the Temples
- Director: Nathan Silver
- Metascore: 83
- IMDb user rating: 6.3
- Run time: 1 hour 51 minutes
Jason Schwartzman stars in this comedy-drama about a widowed cantor whose grade school music teacher seeks his wisdom in prepping for her adult bat mitzvah. Aptly described by The New York Times as a "coming-of-middle-age story," "Between the Temples" offers a unique look at how our toughest moments are often dotted with comedy. The movie's chaotic, improvisational camerawork helps to create a viewing experience "as volatile and hilarious as it is sweet and profound," per The Associated Press.
#19. Sing Sing
- Director: Greg Kwedar
- Metascore: 84
- IMDb user rating: 8.0
- Run time: 1 hour 45 minutes
A prison drama unlike any you've seen before, "Sing Sing" is about a man who has been imprisoned for a crime he didn't commit but finds purpose in a theater group composed of fellow incarcerated men. Colman Domingo plays the lead role, and much of the cast is comprised of formerly incarcerated actors who participated in the Rehabilitation Through the Arts program, a decision that gives the project an authenticity it may not have had otherwise.
#18. His Three Daughters
- Director: Azazel Jacobs
- Metascore: 84
- IMDb user rating: 7.2
- Run time: 1 hour 41 minutes
Exploring themes of sisterhood, loss, and grief, "His Three Daughters" follows three estranged sisters as they reunite to prepare for their father's death in his tiny New York City apartment. Starring Elizabeth Olsen, Carrie Coon, and Natasha Lyonne, the Netflix original is being touted as one of the best dramas of the year and has even garnered Oscar buzz for Lyonne in the Best Supporting Actress category.
#17. Chicken for Linda!
- Directors: Sébastien Laudenbach, Chiara Malta
- Metascore: 84
- IMDb user rating: 7.1
- Run time: 1 hour 13 minutes
In this animated film, a mother sets out to make amends with her daughter by cooking her favorite meal, despite her lack of culinary knowledge and a strike that's essentially shut down their city. The French project is playful and emotional, exploring themes like grief and memory in ways that will appeal to audiences of all ages.
#16. Super/Man: The Christopher Reeve Story
- Directors: Ian Bonhôte, Peter Ettedgui
- Metascore: 84
- IMDb user rating: 8.6
- Run time: 1 hour 44 minutes
"Super/Man: The Christopher Reeve Story" sets out to show that "Superman" star Christopher Reeve was just as much a hero in real life as he was on-screen. The intimate documentary covers the whole of the actor's life, from his early days in Hollywood in the 1970s through his meteoric rise as the man of steel. From there, the film explores the 1995 horseback riding accident that left him paralyzed, his second act as a disability rights advocate, and his death at 52 in 2004.
Moving and emotional, the film contains never-before-seen footage from the Reeve family's personal home movie collection as well as lengthy interviews with his three children and Hollywood A-listers like Whoopi Goldberg and Susan Sarandon.
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#15. Daughters
- Directors: Angela Patton, Natalie Rae
- Metascore: 85
- IMDb user rating: 7.7
- Run time: 1 hour 48 minutes
"Daughters" made its debut at the 2024 Sundance Film Festival in January, where it won awards from audiences and festival insiders alike. This emotional documentary follows four girls preparing for a father-daughter dance with their incarcerated dads. It jumps back and forth between the girls' lives and their fathers' as they go through an intense 10-week parenting course in preparation for the event. The movie provides a fresh look at the way the American prison system affects all of those it touches.
#14. The Wild Robot
- Director: Chris Sanders
- Metascore: 85
- IMDb user rating: 8.5
- Run time: 1 hour 42 minutes
An adaptation of the book series of the same title, "The Wild Robot" is a family-friendly animated movie about a robot named Roz who must figure out how to survive after being shipwrecked on a remote island. Featuring the voices of Lupita Nyong'o, Pedro Pascal, Kit Connor, Bill Nighy, Stephanie Hsu, Mark Hamill, and Catherine O'Hara, among others, the film has a timely message for audiences about chosen families and what defines a family in the first place. Critics have praised how deftly "The Wild Robot" melds its sincere message with laugh-out-loud humor, noting that, unlike other kids' movies that force some nudge-nudge-wink-wink jokes for adults, the film is truly for everybody.
#13. Close Your Eyes
- Director: Víctor Erice
- Metascore: 85
- IMDb user rating: 7.3
- Run time: 2 hours 49 minutes
"Close Your Eyes" is a pessimistic meditation on memory, identity, and cinema from 84-year-old Spanish director Victor Erice. Told across two timelines, it follows the disappearance of an actor in the middle of a film shoot in the '90s and the present-day reinvestigation of the mystery. Clocking in at almost three hours, its leisurely pace won't be for everyone, but those willing to go along for the ride will be rewarded with a touching, thought-provoking ending.
#12. I Saw the TV Glow
- Director: Jane Schoenbrun
- Metascore: 86
- IMDb user rating: 5.8
- Run time: 1 hour 40 minutes
Dubbed "weird and transfixing" by NPR, "I Saw the TV Glow" centers on two teenagers who bond over a supernatural TV series only to have their lives go off the rails years after the show's cancellation. Produced by Emma Stone and Dave McCary's company Fruit Tree, the movie stars Justice Smith and Brigette Lundy-Paine and is far more unsettling than the previews may have led viewers to believe.
#11. Good One
- Director: India Donaldson
- Metascore: 87
- IMDb user rating: 7.2
- Run time: 1 hour 29 minutes
"Good One" follows 17-year-old Sam (Lily Collias), her father, and her father's longtime friend as they embark on a weekend hike in the Catskill Mountains. The journey, which may sound picturesque on the surface, proves to be anything but when the men let past issues bubble to the surface and put Sam in a position that's well beyond her years. Critics rave about almost every aspect of "Good One," from Collias' performance to the cinematography, sound design, and director India Donaldson's absolute refusal to hold audiences' hands through its murky ending.
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#10. Pictures of Ghosts
- Director: Kleber Mendonça Filho
- Metascore: 88
- IMDb user rating: 7.7
- Run time: 1 hour 33 minutes
In this documentary, filmmaker Kleber Mendonça Filho revisits his life in Brazil, recalling its glory days through the prism of the various cinemas he frequented as a child. The New York Times praised the film, which combines both new and archival footage, for the way it inspires a "rumination on life, death, family, movies, and those complicated, invariably haunted places we call home." Meanwhile, IndieWire hailed the documentary's celebratory spirit, noting that Filho gives it "a joyful rhythm, full of hope and wonder."
#9. About Dry Grasses
- Director: Nuri Bilge Ceylan
- Metascore: 88
- IMDb user rating: 7.8
- Run time: 3 hours 17 minutes
This Turkish-language drama centers on a teacher who finds his future threatened after a female student alleges inappropriate contact. As is the case with many of Nuri Bilge Ceylan's projects, the movie is slow and sparse, with a strong emphasis placed on still photography. The New Yorker called it "nimble, alert, and alive," stressing that it "brims with a bitingly melancholy Chekhovian spirit," something that's sure to appeal to certain moviegoers.
#8. Green Border
- Director: Agnieszka Holland
- Metascore: 90
- IMDb user rating: 6.4
- Run time: 2 hours 32 minutes
Described by RogerEbert.com as "the best and most important film to be released in the U.S. so far this year," "Green Border" examines the ongoing European refugee crisis. Set on the border of Belarus and Poland, the movie is gorgeously shot in black and white and manages to perfectly walk the line between real and melodramatic. It's a must-watch for any politically minded viewer.
#7. La Chimera
- Director: Alice Rohrwacher
- Metascore: 91
- IMDb user rating: 7.3
- Run time: 2 hours 10 minutes
Set in the '80s, "La Chimera" centers on a lovelorn archaeologist who unwittingly finds himself as the head of a ragtag gang of grave robbers, stealing artifacts and passing them on to a mysterious buyer. The Guardian called it "uproarious and celebratory," noting that its tone—and the way it teems with life—is one of the best things about it. Meanwhile, Slant loved the way it wrestles with time and its effect on all of our lives.
#6. Sugarcane
- Director: Emily Kassie, Julian Brave NoiseCat
- Metascore: 91
- IMDb user rating: 7.7
- Run time: 1 hour 47 minutes
National Geographic documentary "Sugarcane" looks at the abuse and death that transpired in a Canadian Indian residential school system, following survivors and investigators as they learn what went on behind closed doors in one of the more troubling parts of the country's history. While the movie is a difficult watch, it's also a powerful one, relying not on talking-head or gritty reenactment approaches, but rather inviting audiences to sit alongside those most affected by the program. A must-see, "Sugarcane" won the Directing Award for documentaries at this year's Sundance Film Festival.
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#5. Tótem
- Director: Lila Avilés
- Metascore: 91
- IMDb user rating: 7.1
- Run time: 1 hour 35 minutes
The National Board of Review named "Tótem" one of the best international films of the year, which is as winning of an endorsement as one could hope to receive. The Mexican project is about a 7-year-old girl celebrating her father's birthday and struggling to come to terms with the fact that it will likely be his last. Variety called the movie "lifelike and lived-in" and commended filmmaker Lila Avilés' "generous, open-ended" style.
#4. Ryuichi Sakamoto: Opus
- Director: Neo Sora
- Metascore: 91
- IMDb user rating: 8.1
- Run time: 1 hour 43 minutes
Called "a parting gift from a master musician" by The New York Times, "Ryuichi Sakamoto: Opus" is the pianist's final performance. There are no interviews or introductions in the film, it's simply 103 minutes of the Japanese artist sitting at his piano playing some of his greatest hits. While it may not sound like the most exciting film the year has had to offer, the space it offers for contemplation is unlike anything else the big screen has given us.
#3. Here
- Director: Bas Devos
- Metascore: 92
- IMDb user rating: 6.8
- Run time: 1 hour 24 minutes
Dubbed "a celebration of connection" by The New York Times, Bas Devos' "Here" follows the lives of a Romanian construction worker and a Belgian-Chinese academic who studies moss. Their lives, which have almost no reason to intersect, inevitably do in the most unusual of places. The quiet film is beautifully photographed and captures a sense of connection where "nothing much and everything happens—or could," according to the Times.
#2. Inside the Yellow Cocoon Shell
- Director: Thien An Pham
- Metascore: 94
- IMDb user rating: 6.7
- Run time: 2 hours 59 minutes
Straddling the line between surrealism and realism, "Inside the Yellow Cocoon Shell" centers on a young Vietnamese man navigating the unexpected loss of a family member and grappling with larger questions of faith, god, and the afterlife. At the 2023 Cannes Film Festival, the movie won director Thien An Pham the Camera d'Or, the award given to the best debut feature. Outlets like IndieWire have gushed over the project's unique cinematic style (there are long, uninterrupted shots that run for up to 20 minutes at a time), which has earned praise from critics internationally.
#1. Do Not Expect Too Much From the End of the World
- Director: Radu Jude
- Metascore: 95
- IMDb user rating: 7.4
- Run time: 2 hours 43 minutes
In this black comedy, a production assistant is tasked with shooting a workplace safety video, only to find their plans upended when an interviewee makes a surprising statement. Completely unique in its form (it's a mix of new footage; edited excerpts of another 1981 film, "Angela merge mai departe"; and the main character's TikTok videos), Variety called the movie a "dizzying, dazzling feat of social critique, an all-fronts-at-once attack on the zeitgeist, and a mischievous, often hilarious work of art about the artifice of work."
Data reporting by Luke Hicks and Rob Powell. Story editing by Jaimie Etkin and Carren Jao. Copy editing by Tim Bruns.
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